Premiere      
Title and year of completion Instrumentation, duration and text. Performers and details of first performances Details of commissions, recordings and publications.
Códice de adivinanzas (2017)

For speaker and viola

Duration: ca.22 min

  Funded by Sistema Nacional de Creadores de Arte, Mexico.
Cellular  (2016)

For soprano and string quartet. Text in Maya by Briceida Cuevas Cob.

Duration: ca.8 min

Premiered on Tuesday 29th November 2016 by Beatriz Elena Martinez , soprano
Daniel Cruz & Patricia Santiago Hernández, violins
Gwedolyn Matias-Ryan, viola
Yalissa Cruz Espino, cello at

Teatro Macedonio Alcalá, Oaxaca, Mexico

Commissioned by XXII Festival Internacional Eduardo Mata.

Funded by Sistema Nacional de Creadores de Arte, Mexico.

Siphonophorae (2016)

For flute (+bass flute), A clarinet (+bass clarinet), piano, violin, viola, cello

Duration: ca.13 min

Premiered on Thursday 3rd November 2016 by Ensemble Recherche at Casa de la Musica, Parma, Italy

Written for the 25th Anniversary celebrations of Traiettorie Festival.

Funded by Sistema Nacional de Creadores de Arte, Mexico.

Miles away (2016)

Concerto for trumpet and ensemble: Flute (+piccolo & bass flute), Oboe (+cor anglais), Bb clarinet (+bass clarinet), bassoon, horn, Bb trumpet, trombone, tuba, percussion (one player), harp, piano, 2 violins, viola, cello and double bass.

Duration: ca.22 min

Premiered on Monday 23rd May 2016 by Ensemble Contrechamps with Pacho Flores as the soloist.

Commissioned by Ensemble Contrechamps for their 2015-16 season with funds provided by the Ernst von Siemens Foundation.
Sortilegio (2015)

For harp, percussion and electronics

Duration: ca.18 min

  Commissioned by Duo Harperc with funds provided by the Ernst von Siemens Foundation. Electronics created at the Heinrich Strobel Experimentalstudio of the SWR, Freiburg.
Son dementes cuerdas (2015)

For guitar and string quartet

Duration: ca.15 min

Premiere on Commissioned by Josef White quartet with funds provided by FUNCA in Mexico.
Jitanjáfora (2014)

For flute (+piccolo & bass flute), Bb clarinet(bass), 2 percussion players (waterphone, triangle, wooden chimes, vibraphone, marimba, 2 timpani: 26 and 29 inch timpani, triangle, cymbal, 2 tam-tams (large and small), sleigh bells, 5 temple blocks, bongos, 2 tom-toms, 2 cowbells, 2 tom-toms, marimba, glockenspiel), piano, violin, viola and cello.

Duration: ca.15 min

Premiered on Tuesday 18th November at the Sala Ponce de Bellas Artes with the ensemble of CEPROMUSIC (Centro de Experimentación y Producción de Música Contemporánea), conducted by Jose Luis Castillo. Commissioned by Instituto Nacional de Bellas Artes y Literatura through Centro de Experimentación y Producción de Música Contemporánea of México in 2014.

A swallowed bait

(2014)

For baritone, flute (+bass flute), bass clarinet, percussion (1 player), guitar, violin and viola

Duration: ca.12 min

 

 

Premiered on 13th October 2014 in Teatro Juárez at the 42nd Festival Internacional Cervantino, Guanajuato, Mexico by Randall Scarlata, baritone and Ensemble Redes.

Commission funded by 42nd Festival Internacional Cervantino 2014

Published by UYMP.

Hacia una bitácora capilar

(2014)

String quartet No.3b

Duration: 9 min.
Premiered on 10th May 2014 in the Rudolf Steiner School, Witten at the Tage fur Neue Musik by the Arditti Quartet during their 40th anniversary celebrations.

Commission funded by the PRSF ‘Women make music’ Award.

Published by UYMP.

Bitácora capilar

(2013/14)

String quartet No.3

Duration: 17 min.
Premiered on 26th April 2014 at Milton Court theatre, Barbican, London by the Arditti Quartet during their 40th anniversary celebrations.

Commission funded by the PRSF ‘Women make music’ Award.

Published by UYMP.

Quipú del amor

(2013)

Version for string quartet and mezzo or countertenor.

Duration: 4 min.
Premiered on 19th October 2013 in Mexico City by Lourdes Ambriz and Liminar at a private celebration Written as a wedding present for Jose Luis Paredes

Reencuentro

(2013)

For flute (+bass flute), Bb clarinet (+bass clarinet) and cello.

Duration: 6 min.
Premiered on 28th September  2013, at the Sala Carlos Chávez, Mexico city by Alejandro Escuer, flute, Fernando Dominguez, clarinet and Edgardo Espinosa, cello.

Written to celebrate Mario Lavista 70th birthday.

Published by UYMP.

Eihei-ji

(2013)

For recorders (one player) and electronics.

Duration: ca. 9 min.
Premiered on 2nd September 2013 in Echizen-shi Bunka Center, Takefu, Japan at the Takefu International Music Festival by Tosiya Suzuki Published by UYMP.

Intermezzo malinconico

(2013)

For bass clarinet

Duration: ca.11 min.
Premiered on 18th October 2013 at the Templo de la Compañía at the 41st  Festival Internacional Cervantino in Guanajuato by Fernando Dominguez Published by UYMP.

La tierra de la miel

(2012)

Music theatre piece for soprano, percussion (one player), guitar and piano.

Duration: 19 min.
Premiered on 8th  May 2013 by soprano Susan Narucki, percussion Steve Schick, guitar Pablo Gómez and piano Alec Karis at the Experimental Theater of the Conrad Prebys Music Center at UCSD

Commissioned by Susan Narucki for her project Cuatro corridos

Published by UYMP.

Señales

(2012)

Homage to Jonathan Harvey

 

For solo violin, flute(+piccolo and bass flute), Bb clarinet (+ A clarinet, bass clarinet), horn, cimbalom, 2 percussion players, harp, viola, cello,  and double bass.

Duration: 18 min.

Premiered on 12th May 2012 by Irvine Arditti, violin, Ensemble Signal, conducted by Brad Lubman at the Portrait series of Miller Theatre in Columbia University in New York. 

Commissioned by Miller Theatre for their Portrait concert series 2012.

Published by UYMP.

Altazor

(2011)

For baritone, flute(+piccolo and bass flute), oboe (+cor anglais) Bb clarinet (+ A clarinet, bass clarinet), percussion, piano, violin, viola, cello, and electronics.

Duration: 26 min.

Premiered on18th November 2011, in the Amphithéâtre de l'Opéra-Bastille in Paris at the Festival D’Autumne, by Guillermo Anzorena and L’instant donné conducted by James Weeks. Electronics created at IRCAM Studios by Lorenzo Bianchi.

Commissioned by Festival D’Autumne a Paris and is dedicated to Josephine Markovit.s

Published by UYMP.

Revelación

(2011)

For flute (+piccolo and bass flute), Bb clarinet (+bas clarinet), horn, percussion, piano, violin, viola,cello, double bass and electronics.

Duration: 21 min.

Premiered on12th May 2011, in Sala Martín i Soler del Palau de les Arts, Valencia at Festival ENSEMS  by Grup Instrumental de Valencia conducted by Joan Cerveró with a choreography by Ana Luján who dance with Toni Aparisi.

Commissioned by “Integra - Fusing music and technology”, a EU funded project led by Birmingham Conservatoire, UK and by Grup Instrumental de
Valencia. Live electronics realised at Birmingham conservatoire

Jamie Bullock and Tychonas Michailidis. 
 Published by UYMP.

Fragmentos de Altazor

(2010)

For 2 sopranos, contralto, tenor(sings also countertenor), baritone and bass. Based on the poem by Vicente Huidobro.

Duration: ca. 15 min.

Premiered on 11th December 2010 at the Theaterhaus, Stuttgart by the
Neue vocalsolisten. Commissioned by Quarttetfest in Heidelberg. Dedicated to: I: Leo Hepner, II, Jake and the Arditti Quartet, III: Sonia Simmenauer

Kamex ch’ab

(2010)

For Counter-tenor, 2 tenors, bass and string quartet.


Duration: 24 min.

Premiered on 28th March 2010 at the Iglesia de San Miguel, Festival de Música Religiosa de Cuenca by the Hilliard Ensemble and Arditti Quartet.

Commissioned by Festival de Música Religiosa de Cuenca.

Dedicated to my sister Bety.


Published by UYMP.

Canciones lunáticas

(2008-09)

For Countertenor and string quartet. Text by Pedro Serrano


Duration: 21 min.

Songs II and III premier on 17th April 2009 at Quarttetfest in Heidelberg.
 The complete cycle was premiered on 3rd February 2011 at the Wigmore Hall, London.both by Jake Arditti and the Arditti quartet. Commissioned by Quarttetfest in Heidelberg. Dedicated to: I: Leo Hepner, II, Jake and the Arditti Quartet, III: Sonia Simmenauer

Uolis t’an

(Pelota de voz )

(2009)

For Viola and speaker.


Duration: ca. 4 mins.

Premiered in October 2010 at Festival Internacional Cervantino, México. Written as a wedding present for Garth Knox and Valentina Vapnarsky

Paráfrasis                        (2

(2009)

For Trombone solo


Duration: 11 min.

Premiered on 10th September 2013 at Miller Theatre, University of Columbia, New York by Steve Parker, trombone. Commissioned by Mills College for trombonist Andy Strain.
Alegoría Tri-partita

(2008)

For Piano trio.


Duration: 17 min.

Premiered on 18thMarch, 2009 by Trio Arbós at the Auditori de Barcelona.

Commissioned by Trio Arbós funded by the Siemmens Foundation in Germany. Dedicated to Trio Arbós.


Published by UYMP.

Cuerdas del destino

(2007-08)

String quartet No.2


Duration: 19 min.

Premiered on 5thOctober 2008 at Auditorium Paganini, Parma at the Festival Traiettorie by The Arditti Quartet.

Commissioned by Ultima Festival in Oslo 2008 and Traettoria, Parma. Dedicated to the Arditti String Quartet.


Published by UYMP

Óox p’eel ikil t’aan

(2007)

For trumpet (+flugelhorn), percussion (one player), tape and live electronics. With poems by Briceida Cuevas Cob.

Duration: 25 min.

Premiered on 4thApril  2008 at the Ars Nova Festival for SWR in Rottenburg. Live electronics created with the assistance of Gregorio Garcia Karman Written for Robyn Schulkowsky, Reinhold Friedrich and the Experimental Studio of the SWR.

Papalote

(2007)

Version for treble voice and string quartet. Text by Mexican poet Rocío González.

Duration: 6 mins.

Premiered on 29th September 2007 at the Warehouse in London, by Jake Arditti and the Arditti Quartet.

Arranged from the violin and treble version.

Published by UYMP.

Quipú del amor

(2007)

For soprano, mezzo, tenor, bass, trombone and one percussionist. Poem by Carlota Caulfield.

Duration: 4 min.

Premiered on 8th September 2007 in Pragsattel Theatre, Stuttgart by Neue Vocal Solisten with Mike Svoboda and Boris Müller.

Written as a wedding present for Christine Fischer and Rainer Pöllmann.

Published by UYMP.

A través del granizo

(2007)

For prepared piano, harpsichord and electronics.

Duration: 11 min.
Premiered on 29th June 2007 at Corsham Festival by Jane Chapman and Kate Ryder Commissioned by Jane Chapman and Kate Ryder with funds provided by Corsham Festival and the RVW Trust. Published by UYMP.

Recordare

(2006)

For symphony orchestra.

Duration: 16 min.
Premiered on 15th December 2006 at Sala Nezahuacoyotl in Mexico City by OFUNAM conducted by Daniel Boico. Commissioned by Dirección General de Música de la UNAM. Published by UYMP.

In Memoriam Thomas

Kakuska

(2006)

a6)

For solo violin

Duration: 10 min.
Premiered on 8th September 2006 in Bunka Centre, Takefu, Japan as preparation for the memorial concert for Thomas Kakuska at the Konzerthaus in Vienna on 29th October 2006. Both performances were given by Irvine Arditti. Published by UYMP.
Sobre un páramo sin voces (2006)

For solo piano.

Duration: 5 min.
Premiered in 17th October 2006 at Festival Internacional Cervantino, by Ana Cervantes. Commissioned by Ana Cervantes. Published by UYMP

Páramo de voces

(2006)

For piano and electronics

Duration: 14 minutes
Premiered on 10th May 2006 at Blackheath Halls, London by Ian Pace. Commissioned by Ian Pace with funds provided by RVW Trust. Published by UYMP

Corazón de Onix

(2005)

For flute (+piccolo, alto, bass flute),Bb clarinet (+ bass clarinet),piano, violin, viola and cello.

Duration: 13 minutes

Premiered on 20th May 2006 at Sala Blas Galindo, Mexico City by Ensemble Onix. Commissioned by Onix Ensemble, with funds provided by FONCA (Mexico). Published by UYMP

Recuerdos del Porvenir

(2005)

For flute (+piccolo, alto), oboe (+ cor anglais) A clarinet (+ Eb clarinet), percussion, piano, violin, viola and cello.  

Duration: 6 min.

Premiered on 20th May 2006 at Sala Blas Galindo, Mexico City by Ensemble Onix. Written in response to a request of Ensemble Recherche.

Demente cuerda

(2004)

For flute, oboe, clarinet, bassoon, horn, percussion string quintet and solo harp.

Duration: 15 minutes

Premiered in May 2004 in Teatro Thalia, Valencia, Spain at Festival Ensems by Luisa Domingo, harp and the Grup Instrumental de Valencia, conducted by Joan Cerveró. Commissioned by Joan Cerveró, the Grup Instrumental de Valencia and the Instituto Valenciano de la Música, who has published it.

Seed of time

(2003)

For horn, piano, violin,viola and cello.

Duration: ca. 5 min.
Premiered on 30th January 2004 at the Angel Orensanz Center for the Arts in New York by Theo Primis and Stephen Gosling from Ensemble sospeso, with Graeme Jennings, Ralph Elhers and Rohan De Saram of the Arditti quartet. Written to celebrate the 95th birthday of the composer Elliott Carter.

Recordando a Celia

(2003)

For piano. (Grade 6-8)

Duration: 3 min.

Premiered in July 2003 at Dartington Summer school by by Elena Riu. Commissioned by Elena Riu and Dartington Summer School, published by Boosey and Hawkes as part of Salsa Nueva

Tanz

Zanates

(2003)

2 Pieces for piano. (for children)

Duration: 2 min.

 

Las Estrellas

(2003)

For piano. (For beginners)

Duration: 1 min.

 

Premiered in November 2006 at the Royal Academy of Music, London by Thalia Myers Commissioned by Thalia Myers and the ABRSM, published on the Spectrum 4 collection.

EL Palacio Imaginado

(2003)

Chamber opera in three acts. Libretto by Adriana Diaz Enciso, based on a story by Isabel Allende. For nine singers, flute (piccolo & alto flute), oboe (cor anglaise), Bb clarinet (Eb cl., A & Bas cl.), bassoon, horn, trumpet in C, trombone, tuba, percussion (two players), piano, three violins, two violas, cello, double bass and tape.

Duration: 90 min.

US premier on 12th June 2003 at Festival of Arts & Ideas, New Haven. European premier on 26th June 2003 at the Theaterhaus Stuttgart both by the Neue Vocalsolisten and the New Haven Symphony Orchestra in the US and the Collegium Novum Zurich in Germany. Both productions were conducted by Peter Hirsch, directed by Carlos Wagner, with Mauricio Elorriaga as stage desigern. The tape was produced at the Experimental Studio of the SWR in Freiburg.

Commissioned by Musik der Jahrhunderte, Festival of Arts and Ideas (New Haven) and English National Opera.(2001-2003).

Project also sponsored by the J.S. Guggenheim Foundation.

TZOLKIN

(2001)

For percussion.

Duration: 15 min.
Premiered in March 2003 at the Richard Attenborough Centre in Leicester by Alonso Mendoza. Commissioned by The Richard Attenborough Centre, Leicester University and by Alonso Mendoza in 2001.

Cotidales

(2001)

For Piano and string quartet.

Duration: 19 min.
Premiered on 1st November 2001, in the Baptist Church, Melbourne by Michael Kieran Harvey, piano and the Arditti Quartet. Commissioned by Melbourne Festival 200, funded by Dimity Reed. Recorded at SWR for Mode records (149). Published by UYMP

AH PAAXO’OB

(2001)

For flute (piccolo & alto flute), oboe (cor anglaise), Bb clarinet (Eb cl.), A

clarinet (Bas cl.), bassoon, horn, trumpet in C, trombone, percussion (two players), celesta, harp, piano, three violins, two violas, two cellos and double bass.

Duration: 19 min
Premiered on 18th May 2001 at the Mozart Saal of the Alte Opera in Frankfurt by Ensemble Modern, conducted by Stefan Asbury Commissioned by the City of Frankfurt and Ensemble Modern in 2000. Live recording by Hessischer Rundfunk for Mode records New York, (149). Published by UYMP.

Papalote

(2000)

For treble voice and violin.

Duration: 6 min.
Premiered on 18th April 2009 at the Heidelberg Spring Festival by Jake and Irvine Arditti.  

CAN SILIM TUN

(1999)

For soprano, mezzo, tenor, bass and string quartet.

Duration: 16 min.
Premiered on 12th February 2000 in the Theaterhaus, Stuttgart at the Eclat Festival by the Neue Vocalsolisten and the Arditti Quartet. Commissioned by Musik der Jahrhunderte in 1999. Recorded at SWR for Mode records New York, (149).

Metamorfósis

(1999)

For Guitar.

Duration: 8 min
Premiered in May 2000 at Sala Simon Bolivar in London by Pablo Gómez. Recorded for Quindicim (QPO1067) by Pablo Gomez Cano.

Nana de la luna

(1998)

Lullaby for mezzosoprano and piano.

Duration: 7 min.
Premiered in 1999 at Sala Ponce of Bellas Artes, Mexico city, by Encarnación Vázquez, mezzosoprano and Alberto Cruz Prieto, piano. Recorded by Encarnación Vázquez and Alberto Cruz Prieto, for Euram records. (092-3)

Tres piezas In Memoriam L.J.

(1998)

For Flute/piccolo/alto flute, alto saxophone/soprano sax., tenor saxophone, tabla, Mexican percussioninstruments (one player), guitar and double bass.

Duration: 12 min.
Premiered in 2003 as part of the Los Angeles Philharmonic series by CalArts New Century players with David Rosenboom, conducting. Commissioned and recorded by La Banda Elastica funded by Fondo Nacional para la Cultura y las Artes, México in 1997. Cd. on

UY U T’AN

(1998)

String quartet No.1.

Duration: 15 min.
Premiered on 27th September 1998 in Eglise de la Madeleine in Rouen for Festival Octobre en Normandie by the Arditti String Quartet. Commission funded by Octobre en Normandie. Recorded for Mode Records New York (149), in 2001.

ZUHUY KAK

(1997)

For Violoncello.

Duration: 12 min.
Premiered on 5th October 1997 in Salle de L’Aubette, Strasbourg for Festival Musica by Rohan De Saram. Recorded live by SWR, broadcast in December 1998.

YAY BE

(1996-97)

For Double-manual harpsichord.

Duration: 7 min.
Premiered in London in 1997 at the Purcell Room, South Bank by Jane Chapman, Harpsichord Commissioned by Jane Chapman funded by the Arts Council of Great Britain in 1997. Recording unreleased by Jane Chapman

ZAZTUN

(1996-99)

For Symphony orchestra.

Duration: 11 min.

Premiered in February 1999 in Dublin by National Symphony Orchestra of Ireland, conducted by Charles Hazelwood

Commission funded by Orquesta Filarmónica de la Universidad de México in 1996.

Homenaje a Remedios Varo

(1995-96)

For Flute/piccolo/alto flute, Bb clarinet/ A, Eb and bass clarinet, percussion (one player), piano, violin and cello.

Duration: 12 min.

Premiered in January 1996 in Pittsburgh by The Pittsburgh New Music Ensemble conducted by David Stock.

Revised version premiered in August 1996 in Darmstadt by Musikfabrik with Johannes Kalitzke.
Commissioned by the Pittsburgh New Music Ensemble for their twentieth anniversary. First recorded by Psappha, conducted by Paul MacLinden for BBC in1996. For RTVE (live) in 2004 by London Sinfonietta, conducted by Diego Mason.

En el nombre del Padre

(1994-95)

Pagan Requiem on a text by Jaime Sabines, for two sopranos, two mezzos, two tenors, baritone, bass, four percussion players and piano.

Duration: ca. 25 min.

Premiered in May 1998 at Foro de Música Nueva, Mexico city by Vocal Soloists Ensemble of Bellas Artes, Ensemble Tambuco, percussion with Armando Merino, piano. Written with the sponsorship of Fondo Nacional para la Cultura y las Artes, Mexico.

Tríptico: Caligrama, A contraluz, Parábola

(1993-94)

For piano.

Duration: 15 min.

Premiered in 1996 at Sala Carlos Chávez, University of Mexico City by Ana Maria Tradatti, piano.

(1996).
Commission funded by Dirección de Actividades Musicales, University of Mexico City in 1994.

de aquel hondo tumulto”

(1993)

For Flute, clarinet, two percussion players, harp, piano and string quintet.

Duration: 8 min.
Premiered in 1994 in Pittsburgh by the Pittsburgh New Music Ensemble, conducted by David Stock Recorded live by Israel Contemporary Players, conducted by Paul Mefano for Radio Jerusalem in 1999

CHACZIDZIB

(1992)

For piccolo.

Duration: 8 min.
Premiered in 1992 in Madrid by Guillermo Portillo. Published by Biblio-Música

Canciones sobre poemas de Eduardo Hurtado: Globo, luciérnagas, faro

(1992)

Songs for female voice and piano, on poems by Eduardo Hurtado.

Duration: 13 min.

Premiered in October 1992 at Festival Cervantino, Guanajuato, Mexico by Adriana Díaz de León, mezzo soprano and Francisco Nunez, piano.

Recorded by Adriana Díaz de León and Oscar Tarragó (Piano) for Ediciones Pentagrama , (PCD300) Mexico in 1995.

OXKINTOK

(1991)

For Symphony orchestra.

Duration: 14 min.
Premiered in 1993 at Sala Ollin Yolitzli, Mexico city by Orquesta Filarmónica de la Ciudad de México, conducted by Luis Herrera de la Fuente. Commission funded by Consejo Nacional de las Artes in 1991.

IKAL

(1991)

For one recorder player (three recorders).

Duration: 9 min.
Premiered in October 1991 in Festival Cervantino, Guanajuato, Mexico 1991 by Horacio Franco.  

The Seventh Seed

(1991)

Chamber opera in three acts for soprano, baritone, two mezzos, tenor, string quartet and percussion (one player). Libretto by Karen Whiteson.

Duration: 46 min.
Premiered in concert version in June 1993 at the University of Mexico City by Lourdes Ambriz, soprano, John Oakley-Tucker, baritone, chorus: Eva Santana, Adriana Diaz, Raúl Hernández with Orquesta de Baja California, conducted by Eduardo Garcia Barrios. Commission funded by the Arts Council of Great Britain in 1990. Recorded for Mode Records New York (60) by Lourdes Ambriz, John Oakley-Tucker, Carol Plantamura, Virginia Sublet, Isaac Langen, the Arditti String Quartet; percussion: Steve Shick conducted by Rand Steiger.

Towards the sun

(1990)

For Flute/alto flute, cello, synthesizer (Roland D50), tabla and live electronics.

Duration: 15 min.

Premiered in 1990 at the Almeida Theatre, London by Shiva Nova Ensemble. Commissioned by the ensemble Shiva Nova, funded by Greater London Arts in 1990.

OXKUTZKAB

(1989)

Graphic music-theatre piece for various actors, voice ensemble and string quintet.

Duration: 4-6 min.
Premiered in 1989 at Dartington Summer School by the Garden Venture group. Written for the Garden Venture Project in 1989.
Agamemnon takes a bath (1989)

Music-theatre piece for baritone, trombone, piano and actress.

Text: Nick Till.

Duration: 7 min.

 

Premiered in 1990 at the Royal Court Theatre, London by Robert Hayward, baritone, Martin Harvey, trombone and Rachel Byrt, piano. Written for the Garden Venture project of Covent Garden, Royal Opera House in 1989.

Testamento de Hecuba

(1989)

For Mezzosoprano and guitar. Text by Rosario Castellanos.

Duration: ca. 6 min
Premiered in 1989 in Museum of Modern Art, Amsterdam by Lore Lixenberg, mezzo soprano and Julio De Escrivan, guitar. Commissioned by Julio De Escrivan in 1989. Live recording and broadcast in Amsterdam in 1989.

Sonetos Eróticos

(1989)

For Flute/alto flute, soprano, guitar and harp. Text by Hilda Bautista.

Duration: ca. 16 min.
Premiered in February 1990 at St. John Smith’s Square, London by Amy Rodenburg, soprano, Roland Sutherland, flutes, Ruth Holden, harp and Tom Kerstens, guitar. Commission funded by Greater London Arts and the Holst Foundation in 1989. Published by Ediciones de Música Mexicana, in 1995.

TLAPITZALLI 3

(1988)

For Three recorder players.

Duration: ca. 14 min.
Premiered in 1994 in Amsterdam by Trio Subtilior. Commissioned by La Fontegara Amsterdam, funded by Greater London Arts in 1988.

TLAPITZALLI 2

(1987)

For Flute and percussion (one player).

Duration: 6 min.
Choreographed in 1988 at the Royal Academy of Dance with Alison Back, flute and Roy Sinclair, percussion. Commissioned for a choreography by Jane Wheatley at the Royal Academy of Dance, in 1987.

El Prestidigitador

(1987)

For Three clarinet players and two percussionists.

Duration: 12 min.
Premiered in 1988 at the Place in London at the Dance Umbrella Festival by Nick Hayes, Sarah Lee and Leslie Applebee, clarinets, Roy Sinclair and Julyan Poole, percussion Graham Treacher, conductor. Commissioned for a choreography by Ingegerd Lonroth, funded by the Arts Council of Great Britain in 1988.

AJAUCAN

(1987)

For Symphony Orchestra.

Duration: ca.12 min.
   

El Canto del Tepozteco

(1986)

For Flute/alto flute, guitar, fifteen strings, percussion and celesta.

Duration:  12 min.
Premiered in May 1987 at the Guildhall Contemporary Music Festival, London by Helen Jones, flute, Gerald Garcia, guitar with the Guildhall Chamber Orchestra, conducted by Steuart Bedford. Live recording by Orquesta de Camara de Bellas Artes and broadcast live by Radio IMER in 1993.

Permutaciones

(1985)

For Violin.

Duration:  7 min
Premiered in May 1986 at the Guildhall Contemporary Music Festival, London by Hisako Tokue. Recorded by Irvine Arditti, for Mode Records New York (60) in April 1995.

Fuegos de San Juan

(1985)

For Flute/alto flute, clarinet/bass clarinet, horn, mezzosoprano, female choir, harp, percussion (5 players) and thirteen strings instruments. Text by: G. Seferis.

Duration: ca.12 min.
Premiered in 1985 at Guildhall School of Music by Guildhall New Music Ensemble and Voices, conducted by Buxton Orr.  

Music for the Cabinet of DR. Caligari

(1984)

For Flute(alto flute), oboe, Bb clarinet(bass cl.), violin, viola,cello, piano and harpsichord.

Duration: 6 min.
Premiered in August 1984 at Dartington Summer School, by Gemini, conducted by Peter Weigold. Written for the silent movie as part of the project directed by Richard Rodney Bennett at Dartington.

Dance

(1983)

For Flute, oboe, Bb clarinet, bassoon, two horns, string quintet.                        Duration: ca.7 min.

Premiered in August 1983 at Dartington Summer School by the New Music Ensemble.  

Humoresque, Melancholico, Toccata

(1978-81)

Three pieces for double-manual harpsichord.

Duration: 8 min.
Premiered in February 1982 at Holywell Music Room, Oxford by Arne Richards, Harpsichord.  

Anachronic songs

(1979)

For Voice and piano. Texts by Ted Hughs and Ramón López Velarde.

Duration: ca.5 min.
   

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